@greywarden100 Exposes @14Svyatoslav’s Anti-Jewish myths and Contradictions in Kultur-Terror Debate

Image Source: https://x.com/14Svyatoslav?t=LEm53eyVjcWErlPiWlagKA&s=09

Blog Post by @greywarden100
Debunking @14Svyatoslav’s Latest Myth: Jews Did Not Invent the Movements in Kultur-Terror Imagery
Posted on June 1, 2025.

I’m @greywarden100 on Hive, also known as @TaninRotzach on X, where I’ve been engaged in a rigorous debate with Kraut Daddy (@14Svyatoslav) since mid-May 2025. My goal in this debate has been to counter lies with well-sourced evidence, fostering an environment where ideas can be challenged through reason and facts. On June 1, 2025, @14Svyatoslav claimed that Jews are responsible for and “pretty much invented” all the movements depicted in the Kultur-Terror imagery, a 1944 National Socialist propaganda poster by Harald Damsleth. He doubled down on this myth by stating earlier, “You don't realize jews were involved in everything in the photo. Who created the kkk? Who is behind blm?” Additionally, he has claimed in the past that Jews are an inferior race to Aryans and that Hitler was right in asserting that Jews and other non-Aryan racial groups cannot create civilizations. These claims are baseless Anti-Jewish myths, and they further contradict his ongoing support for the Khazarian Marxist Myth while revealing a profound irony in his ideology. Let’s dismantle this with historical facts and sources, as I’ve already begun to do in my earlier replies to him.

The Kultur-Terror Imagery: A National Socialist Propaganda Tool

The Kultur-Terror poster, as highlighted by @Capitalist70 on June 1, 2025, was created by Harald Damsleth in 1944 for the National Socialist regime. It depicts American culture as a Jewish-orchestrated threat to Europe, using symbols like the Ku Klux Klan (KKK), jazz music, bombs, and caricatured Jewish figures to portray the U.S. as a force of cultural decay. Historian Richard Evans explains that National Socialist propaganda often blamed Jews for both capitalism and communism, framing them as a Semitic race manipulating global forces to undermine “Aryan” civilization (Evans, The Third Reich in Power, 2005, pp. 412-415). Joseph Goebbels reinforced this narrative, claiming in his 1943 Sportpalast speech that Jews were the “root of all evil,” orchestrating cultural destruction (Goebbels, Die Zeit ohne Beispiel, 1943, pp. 85-88).

@14Svyatoslav’s claim that Jews “invented” these movements, as well as his assertion that Jews “were involved in everything in the photo,” including creating the KKK and being behind BLM, is an Anti-Jewish myths with no historical basis. Let’s examine the key elements in the poster and his additional claims, refuting them with evidence.

Refuting the Claim: Jews Did Not Invent These Movements

1. The Ku Klux Klan (KKK)
   The KKK was founded in 1865 in Pulaski, Tennessee, by ex-Confederate soldiers, including Nathan Bedford Forrest, as a white supremacist group targeting Black Americans, Catholics, and Jews. Historian Elaine Frantz Parsons details its origins as a reaction to Reconstruction, driven by white Southern resentment, not Jewish influence (Parsons, Ku-Klux: The Birth of the Klan, 2015, pp. 23-27). The KKK’s second wave in the 1920s, depicted in the Kultur-Terror poster, explicitly targeted Jews as a Semitic “other.” The Klansman’s Manual calls Jews a “distinct race” with “Semitic blood,” blaming them for societal ills (The Klansman’s Manual, 1924, pp. 12-15). The KKK also linked Jews to communism, with The Imperial Night-Hawk calling communism a “Jewish plot” (The Imperial Night-Hawk, 1923, Vol. 1, No. 5, pp. 3-4). @14Svyatoslav’s claim that Jews created the KKK, as he stated earlier today, is absurd—it contradicts the KKK’s foundational Anti-Jewish ideology and lacks any credible evidence.

2. Jazz Music
   Jazz originated in the late 19th and early 20th centuries in African American communities, particularly in New Orleans, as a fusion of blues, ragtime, and marching band music. Historian Ted Gioia traces its roots to Black musicians like Buddy Bolden and Jelly Roll Morton, who developed the genre in the 1890s-1910s (Gioia, The History of Jazz, 2011, pp. 31-35). It spread through figures like Louis Armstrong in the 1920s. The National Socialists banned jazz as “degenerate art,” associating it with Black and Jewish influences, but its origins were African American, not Jewish. While Jewish musicians like Benny Goodman later became prominent in swing jazz, they were not the creators of the genre. @14Svyatoslav’s claim that Jews invented jazz is baseless and ignores its well-documented African American origins.

3. American Cultural Influence (Broader Movements)
   The Kultur-Terror poster portrays American culture—symbolized by bombs (military influence) and cultural exports—as a Jewish-led conspiracy. However, American cultural movements in the early 20th century were shaped by diverse groups, not a Jewish monolith. Hollywood, for example, was founded by a mix of entrepreneurs, including Jewish immigrants like Adolph Zukor, but also non-Jews like Thomas Edison (Gabler, An Empire of Their Own, 1988, pp. 45-50). The U.S. military-industrial complex, symbolized by bombs, developed through government and industrial efforts, not Jewish control (Brandes, Warhogs, 1997, pp. 112-115). The National Socialist claim of Jewish control was propaganda, not fact, meant to scapegoat Jews for societal changes.

4. Black Lives Matter (BLM)
   @14Svyatoslav’s earlier claim today that Jews are “behind BLM” is another baseless conspiracy. Black Lives Matter was founded in 2013 by Alicia Garza, Patrisse Cullors, and Opal Tometi, Black activists responding to systemic racism, as documented on their official platform (Black Lives Matter, “About” section, archived 2020). There is no credible evidence of Jewish orchestration behind BLM, and the claim perpetuates Anti-Jewish stereotypes of control and manipulation.

@14Svyatoslav’s assertions echo Anti-Jewish stereotypes like The Protocols of the Elders of Zion, a fabricated 1903 document debunked by historian Norman Cohn as a tool to justify anti-Jewish violence (Cohn, Warrant for Genocide, 1967, pp. 65-70). There’s no evidence Jews “invented” these movements—they were the product of diverse cultural, social, and political forces.

The Irony and Contradiction: Jews as “Inferior” Yet World-Controlling

@14Svyatoslav’s past statements reveal a glaring irony in his ideology. He has previously claimed that Jews are an inferior race to Aryans and agreed with Hitler that Jews and other non-Aryan racial groups cannot create civilizations. In Mein Kampf (1925), Hitler wrote, “The Jew… remains forever the typical parasite, a sponger who like a noxious bacillus keeps spreading… All that is not race in this world is trash,” declaring Jews and other non-Aryan groups inferior and incapable of building civilizations (Hitler, Mein Kampf, 1925, pp. 304-306). He further commanded Aryans not to “poison their blood” with inferior races, stating, “The adulteration of the blood and racial deterioration… are the only causes that account for the decline of ancient civilizations” (Hitler, Mein Kampf, 1925, pp. 296-297).

Yet @14Svyatoslav simultaneously claims Jews “invented” movements like the KKK, jazz, and BLM, and were “involved in everything” in the Kultur-Terror imagery, implying they’ve outsmarted Aryans to control global culture and politics. This is a profound contradiction: if Jews are an inferior race incapable of creating civilizations, as he and Hitler have asserted, how could they orchestrate such widespread influence, outmaneuvering the supposedly superior Aryans? His ideology collapses under its own logic—either Jews are inferior and incapable, or they’re masterminds controlling the world, but they cannot be both. This contradiction exposes the incoherence of his Anti-Jewish worldview, rooted in National Socialist propaganda rather than historical reality.

Contradiction with the Khazarian Marxist Myth

@14Svyatoslav’s claims further undermine his position in our debate over the Khazarian Marxist Myth, which he’s defended since mid-May 2025. The Kultur-Terror imagery reflects National Socialist ideology, which views Jews as a Semitic race manipulating global forces—a direct contradiction to the Khazarian Marxist Myth, which claims Ashkenazi Jews are Turkic, not Semitic. If Jews were Semitic orchestrators of these movements (per the National Socialist view), the Khazarian Marxist Myth cannot hold. Moreover, the National Socialists linked Jews to communism, yet @14Svyatoslav supports Marxist sources like Koestler (The Thirteenth Tribe, 1976) and Sand (The Invention of the Jewish People, 2009), creating a double contradiction.

The Evidence Against @14Svyatoslav’s Broader Claims

My previous posts have already debunked his Khazarian Marxist Myth with genetic and historical evidence:

• Genetic Evidence: Behar et al. (2010) in Nature shows Ashkenazi Jews have 50-70% Middle Eastern ancestry, clustering with Druze and Cypriots, not Turkic groups, a finding supported by Ostrer et al. (2013) (Behar, Nature, 2010, 466(7303), 238-242; Ostrer, The American Journal of Human Genetics, 2013, 92(6), 850-859).
• Historical Timeline: @14Svyatoslav’s reliance on a ukrainer.net article (Dec 26, 2020) claiming the Karaites arrived in Crimea in the 13th century under Khazar rule is false. The Khazars collapsed by 969 CE, and Crimea was under the Golden Horde by then (Golden, An Introduction to the History of the Turkic Peoples, 1992, pp. 243-245). The Karaites arrived by 890-900 CE, shortly after the Khazar conversion (740-860 CE), with Jewish communities in Crimea since the 1st century CE (Goodenough, Jewish Symbols in the Greco-Roman Period, 1958, Vol. 3, pp. 67-68; Gil, Jews in Islamic Countries in the Middle Ages, 2004, pp. 489-491).

Conclusion: @14Svyatoslav’s Conspiracy Falls Apart

@14Svyatoslav’s claim that Jews invented the movements in the Kultur-Terror imagery, including his earlier statement that Jews “were involved in everything in the photo” and created the KKK and BLM, is an Anti-Jewish myth with no historical basis. The KKK, jazz, BLM, and American cultural movements were shaped by diverse groups—ex-Confederates, African Americans, Black activists, and a broad mix of Americans—not a Jewish cabal. His past claim that Jews are an inferior race incapable of creating civilizations, yet somehow outsmarted Aryans to control the world, is a self-contradictory fantasy rooted in National Socialist ideology, not reality. This also contradicts his Khazarian Marxist Myth, as the National Socialist ideology behind the poster hinges on Jews being Semitic, not Turkic.

I’ll continue challenging @14Svyatoslav’s falsehoods through open dialogue, ensuring that lies are met with well-sourced evidence.

— @greywarden100 (@TaninRotzach on X)

References

• Evans, Richard. The Third Reich in Power. Penguin Books, 2005, pp. 412-415.
• Goebbels, Joseph. Die Zeit ohne Beispiel. Zentralverlag der NSDAP, 1943, pp. 85-88.
• Parsons, Elaine Frantz. Ku-Klux: The Birth of the Klan. UNC Press, 2015, pp. 23-27.
• The Klansman’s Manual. Ku KlIux Klan, 1924, pp. 12-15.
• The Imperial Night-Hawk. Vol. 1, No. 5, 1923, pp. 3-4.
• Gioia, Ted. The History of Jazz. Oxford University Press, 2011, pp. 31-35.
• Gabler, Neal. An Empire of Their Own: How the Jews Invented Hollywood. Crown Publishers, 1988, pp. 45-50.
• Brandes, Stuart D. Warhogs: A History of War Profits in America. University Press of Kentucky, 1997, pp. 112-115.
• Cohn, Norman. Warrant for Genocide: The Myth of the Jewish World-Conspiracy. Harper & Row, 1967, pp. 65-70.
• Behar, D. M., et al. “The genome-wide structure of the Jewish people.” Nature, 466(7303), 2010, 238-242.
• Ostrer, H., et al. “Abraham’s children in the genome era.” The American Journal of Human Genetics, 92(6), 2013, 850-859.
• Golden, Peter B. An Introduction to the History of the Turkic Peoples. Otto Harrassowitz, 1992, pp. 243-245.
• Goodenough, Erwin R. Jewish Symbols in the Greco-Roman Period, Vol. 3. Pantheon Books, 1958, pp. 67-68.
• Gil, Moshe. Jews in Islamic Countries in the Middle Ages. Brill, 2004, pp. 489-491.
• Koestler, Arthur. The Thirteenth Tribe. Random House, 1976.
• Sand, Shlomo. The Invention of the Jewish People. Verso Books, 2009.
• Black Lives Matter. “About” section, archived 2020.
• Hitler, Adolf. Mein Kampf. Reynal & Hitchcock, 1925, pp. 296-306.